By Lila Quintero Weaver
Young adult/non-fiction/graphic format
The University of Alabama Press, 2012
I am so very proud to include this debut work in Girls of Summer. I had the pleasure of meeting the author at this year’s national Latino Children’s Literature Conference, where I sat utterly amazed by her talent and grace.
Set in Marion Alabama during the 1960s, Darkroom is a memoir in graphic novel format. It’s about growing up as the only Hispanic family in a town where racial tensions erupted into violence and murder during the Civil Rights era. Weaver, daughter of an amateur Argentine photographer, gives us an unflinching account of what she saw and how she grew to make sense of all that surrounded her.
Neither black nor white in the eyes of her neighbors, she felt shame at her own heritage, especially as she became increasingly conscious of the appalling racial injustice against blacks at the time. The memoir hinges on the events of a single night that ended in the death of a peaceful marcher, an event that would change her thinking forever.
We all know that children have never been exempt from history’s horrors. What’s remarkable here is how expertly Weaver has found an honest way to talk about this awful chapter in our country’s history – and how well she keeps us in the perspective of the young girl she once was. Her black and white illustrations are especially clever in partnerships with spare, elegant text. This is a writer who has depth and knows that her readers do, too.
I think young women reading this will find a doorway into history. So many of the events are disturbing. (The snapshot of the fourth grade history book is particularly alarming. And be warned: Weaver keeps true to ugly slurs of the time.) But I think strong girls will love this book because it’s a story of a girl who didn’t give in to the pressures around her. Instead, she learned to open her eyes to what was really around her and inside her. It’s a story of a shy, unsure girl finding her voice at a dangerous time. MM
By Jewell Parker Rhodes
Little Brown Books for Young Readers, 2010
Awards/Recognitions: *2010 Coretta Scott King Honor Author Award *2010 Parents Choice Foundation Gold Award *Best Fiction of 2010, School Library Journal *2011 Jane Addams Honor Book Award for Older Children
Twelve-year old Lanesha was born with a caul over her face, signifying that this child carried a gift – the gift of seeing and speaking with spirits. For that reason, her blood-family won’t have her. They live uptown in the same city, New Orleans, yet might as well be a whole world away from the lower Ninth Ward where Lanesha lives with her guardian, Mama Ya-Ya, who took her in after her mother died giving birth to her. Lanesha’s classmates mock her, too, because of the gift of the caul. They’re afraid of what they don’t understand.
Spirits everywhere greet Lanesha. At school there’s a boy her age, a ghost in baggy pants, and all through the neighborhood, Lanesha sees ghosts, young and old, from just yesterday and ghosts, black and white, from long ago. Lanesha sees her mother’s spirit, too, lingering in repose on the birthing bed at Mama Ya-Ya’s house. She’s been right there since the day Lanesha was born, yet Mama’s spirit never speaks. Lanesha knows she never really rests either.
Only Mama Ya-Ya, TaShon, and her neighbors in the Ninth Ward accept her, so Lanesha finds her solace in words, collecting them one by one, getting to know each word and all that it could mean. Words like unfathomable and omen. Mama Ya-Ya teaches Lanesha how to embrace her gift of seeing spirits and how to befriend the meanings within those words.
Mama Ya-Ya has a gift of her own. She always knows when TaShon is coming over, even well before he reaches the door. In fact, Mama Ya-Ya always knows when something is coming, and this time she sees wrath – the wrath of a storm churning fast toward New Orleans. Yet, something different is about to happen, something that even Mama Ya-Ya cannot comprehend.
To survive this hurricane, Lanesha and TaShon will need all of Mama Ya-Ya’s wisdom and aid from Lanesha’s spirit-friends, too. Lanesha will need to crack open those words she’s learned and absorb their power. Powerful words like fortitude and suspension can help Lanesha through Hurricane Katrina.
Ninth Ward is author Jewell Parker Rhodes first novel for young readers. Strong and steady from the eye of Katrina, Parker Rhodes wields her own powers of voice, imagery, and metaphor. Even once the levee breaks, Parker Rhodes rises above with words and characters strong and beautiful enough to do more than survive. Ninth Ward is a fantastic story of friendship, family, and resourcefulness. It’s also an outstanding tribute to the sense of pride and depth of resolve that we’ve seen and continue to see in the people of New Orleans. GA
By Angela Johnson
Dial Books, 2004
Awards/recognitions: * Louisiana Young Readers Choice Award Nominee * ALA Notable Book * ALA Best Book for Young Adults
Angela Johnson writes the South, writes summer, and writes family like nobody’s business. Her middle-grade novel, Bird, stands as a testament to the very best qualities of the American South – forgiveness, acceptance, and triumph over suffering.
The main character, thirteen year old Bird, knows what she wants – a whole, complete family. She spends her summer in pursuit of her step-father, who has left Bird and her mother in Cleveland. Bird runs far away to Acorn, Alabama in the hopes of finding the only man she’s ever known as father, sure she can convince him to return. But, living in an old shed and snitching leftover pancakes with strawberry syrup while the farm family attends church can’t go on forever. While hiding out, Bird sees people in Acorn who think they’re invisible, yet some Acorn folks also see Bird and resolve to help her.
Johnson tells the story from the perspectives of Bird as well as Ethan and Jay, two Acorn-boys who befriend Bird and in doing so find an easier way of facing their own grief over personal losses. Readers will linger with Bird in a pond so big it ought to be called a lake, so true it summons the children in the story to explore its depth and their own. Readers will also hold their breaths while joy-riding in an old lady’s pickup truck that stirs up a fine red dust from the red dirt road, a dust so fine it settles like baby powder on a girl’s skin and hair. And readers will nod their heads in agreement with Bird’s insights, “In the summer, you can be somebody’s cousin from Michigan or be waiting for your parents who just went into the Fast & Sure Mart for some paper plates or something. You can be almost anybody in the summer.” GA
Learn more about author Angela Johnson.