By Kate DiCamillo and Alison McGhee; illustrated by Tony Fucile
Early reader/picture book/or some new form these brilliant people have discovered, ages 4 – 8
Candlewick Press, 2010
Awards/recognitions: * ALA Notable Children’s Book 2010 * Theodor Seuss Geisel Award
Charming, sweet, funny – you could use any of those descriptions for Bink & Gollie. But what makes this stand out as a Girls of Summer selection is that it celebrates girl friendship the way it ought to be. The story captures two complicated and headstrong buddies who figure out how to share fun and still leave room for individuality. (Seriously, is that too much to ask?) Gollie is tall and intellectual; Bink is short and all heart. In a mere 80 pages, DiCamillo and McGhee touch on disagreements, envy, and even a clash in temperament. But what I admire most is that the girls never try to hide who they are in order to remain friends. Instead, they make room for the other, whether it means trekking through the Andes or befriending a goldfish. Rounding things out are the illustrations by Tony Fucile of Disney fame for his award-winning character design for films like The Incredibles among others. His work here has a charming retro feel and palette that I find irresistible. MM
I love that Bink and Gollie are part of “Girls of Summer.” What particularly thrills me is that they are seen as being absolutely, utterly, unapologetically themselves: strong, curious, a little bit difficult, a lot joyous. — Kate DiCamillo
Read the Girls of Summer interview with Bink and Gollie co-author Alison McGhee here!
Visit Bink & Gollie‘s website: www.binkandgollie.com
By Rita Williams Garcia
Amistad Books (Div. of HarperCollins), 2010
Awards/recognitions: * National book Award finalist * Newbery Finalist * Coretta Scott King Award *Scott O’Dell Award for Historical Fiction
Once I got past the fact that a time period I actually remember qualifies for historical fiction, I warmed up to One Crazy Summer. I’m glad I did. This middle grade novel is about three dueling sisters, a mother who abandoned them, and the summer they are reunited — all against the backdrop of working with the Black Panthers in the late 1960s. Regardless of whether you think the Black Panthers were an armed leftist group or a justified response to the racial injustices of the time, this is a story that offers readers a more nuanced and honest look at the Civil Rights movement beyond Dr. King’s non-violent model, which has been the safer topic in children’s books. Williams-Garcia makes us look through the eyes of children who are awakening to the racism around them and to the power of their own response.
There’s so much to love about this book (note the long string of awards it has received), but for me what shines most are the characters of Delphine, Vonetta, and Fern. Eleven-year-old Delphine occupies the revered and burdensome role of oldest sister as they leave Brooklyn alone to spend the summer in Oakland with their mother, whom they haven’t seen since their infancy. Cecile now calls herself Nzila, and she is working as a poet associated with the Black Panthers. Their grandmother, Big Ma, refers to Cecile as a troublemaker, and at first, it seems as though Big Ma may be right. The girls immediately find themselves practically on their own, dodging Nzila’s gruff ways and spending their days at the community center run by the Panthers. They catch their evening meals at Mean Lady Ming’s Chinese takeout and eat on the floor.
This is the story of funny, squabbling girls who are developing personal power, and for that I adore this book. In Delphine, I see depth, resilience and the practical skills of survival. I see a girl finding her voice and questioning what is around her. What is “mother”? What is fairness? What is the difference between making trouble and insisting on dignity? Delphine keeps her wits about her as she tries to decide whom to trust with what, keeping her heart open to what surprises the grown world brings. MM
Learn more about Rita Williams Garcia.