This is not your school's summer reading list

Middle Grade

The Finisher

finisher

By David Baldacci
Scholastic Press, 2014
Middle grade fiction, Ages 10 and up
ISBN: 0545652200/ 978-0545652209
Additional formats: e-book, audio

Author David Baldacci has earned a rabidly loyal, worldwide fan base with his fast-paced, plot-driven thrillers. With The Finisher,he makes his middle grade fantasy debut in a novel featuring a wisecracking, clever, and brave young heroine named Vega Jane.

Vega and her brother, John, live in the village of Wormwood, which is surrounded by a dangerous, forbidden wilderness known as the Quag. When Vega witnesses a co-worker fleeing into the Quag, the Council becomes highly suspicious of Vega’s involvement. Members of the Council construct a benevolent façade to cover up the real reasons no one is allowed to leave Wormwood. Vega soon realizes everyone is being manipulated.

Vega Jane is my favorite kind of girl—a headstrong, quick study whose mouth gets ahead of her mind sometimes. She’s motivated by justice and fairness but has yet to learn to choose her battles. Vega is loyal to her family and friends—always ready to put up her dukes and fight on behalf of the underdog—behavior that often comes at a price in fiction as in life. And, oh so worth it!

Baldacci’s mastery of emotional tension and full-throttle action is on fine display. The quirky, lovable cast of characters will endear The Finisher to readers of all ages. – Gigi

 


Wonder Show

wondershow

By Hannah Barnaby
Young Adult
Houghton Mifflin Books for children, 2012
978-0-547-59980-9
Honors: William C. Morris Award finalist * Kirkus Best Teen Books * Bank Street College Best Children’s Books * YALSA Best Fiction for Young Adults

I remember the first time I went to the circus. I was five, and my mother took me to see the Ringling Bros at Madison Square Garden. I remember that the clowns frightened me, that the giraffe felt like a skyscraper, and that I said a dirty word that got me scolded. But mostly, I remember that it was the first big outing I took with my mother.

Maybe that’s why I adore Wonder Show. My mom passed away last year, and I read this book at her bedside during her final days. It’s no surprise that I would turn to a book for escape and solace. It’s always been that way for me. But I found myself completely absorbed in this story of a strong girl, her longing for family, and the role of self-forgiveness for all of us.

Set in the 1930’s, Wonder Show is the story of Portia, a girl who loves to make up stories for anyone who’ll listen. She is abandoned first by her mother, then her loving father, Max, and finally by her no-nonsense Aunt Sofia, who decides she can’t raise the headstrong and creative girl on her own. Portia finds herself in the care (loose definition, here) of the ever-creepy Mister at the Home for Wayward Girls. Here, her life as an outsider begins. When her desperate attempt to help a friend dodge Mister’s marital intentions goes terribly wrong, Portia flees in desperation and joins—what else?—the circus.

Well, not exactly the circus. She joins the part of the circus where the true outsiders reside: the Wonder Show, filled with Siamese twins, bearded ladies, giants, armless knife throwers and more.

Barnaby’s debut is so impressive. She recreates the tightly knit community expertly, and her instincts for timing and tension are spot on. She creates characters that are rich in their own needs and failings. I found it almost impossible to stop reading at the end of each chapter. And, I fell in love with Portia.

It’s a teen novel that can work especially well in middle school, but really, any age can enjoy this creepy and thoughtful tale. In Portia, we have a strong girl who refuses to be beaten down, even by her own remorse. – Meg

 

 

 

 

 

 

 

 


The Mer-Child

merchild
The Mer-Child: A Legend for Children and Other Adults
By Robin Morgan, illustrated by Jesse Spicer Zerner
Middle grade, ages 9 and up, grades 4 and up
The Feminist Press at CUNY, 1993
978-1558610545

burningtime
The Burning Time
By Robin Morgan
Young Adult
Melville House, 2012
ISBN: 9781933633008
Honors: American Booksellers Association, “Book Sense” pick * “Reccomended Quality Fiction List 2007,” American Library Association Feminist Task Force * Amelia Bloomer Project

Welcome 2014 Girls of Summer Guest Star, Robin Morgan! Take it away, Robin:

For me, young adult’s books and, for that matter, children’s books, are literature, like any other (good) books. I grew up reading everything I could get my eyes on: Aesop, Grimm, Carroll, Anderson, Hudson, Lamb’s Tales of Shakespeare, Girl of the Limberlost and Nancy Drew, Scott, comic books, poetry–and also Kafka (whom I found hilarious) and Hawthorne, Alcott and Poe, Twain and the Brontes and Mary Renault. Since I wasn’t told “That’s for adults, not you,” I happily read on, and what I didn’t understand I skipped over and returned to later. It was all literature to me, all magical.

Consequently, my so-far-one “children’s book,” The Mer Child, is subtitled A Legend for Children and Other Adults, and my recent historical novel, The Burning Time, was intended as a rollicking good saga, complete with practical witchcraft, horses and torches and medieval pageantry—the kind of book I as a child secretly continued reading under the covers by flashlight past bedtime. I had never thought of a readership age bracket for The Burning Time until it was highly recommended by the American Library Association Amelia Bloomer Project recognizing distinguished fiction for young people; later, some reviewer said it was “so juicy a tale it must be for young adults”—meaning what? That literature for older adults should be boring, flat, and alienated? Phooey.

The Mer Child, based on a fantasy tale I made up for bedtime telling to my son when he was eight, is really a love story of two kids, outsiders both, who find a deep kinship in each other. The Mer Child—son of a mermaid and a human–has pale green skin, surf-white hair, and a shimmering rainbow-hued tail, and isn’t fully accepted in the sea world or the human world. The Little Girl, daughter of a black mother and white father, is also not accepted, both because of her skin color and because her legs are paralyzed. These two outcasts find a home in each other. It’s a story about difference and sameness, not fitting in, the preciousness of being unique (and its cost)—and about overcoming bigotry and ignorance. All of those subjects are, I believe, decidedly appropriate for readers of any age, since every one of us, including children, experiences such things anyway and might as well be equipped to deal creatively with them.

The Burning Time is not a fantasy. It is based on the true story of one woman’s remarkable fight against the Inquisition, set against the vivid tapestry of the 14th century and drawn from court records of the first witchcraft trial in Ireland: the tale of an extraordinary real-life noblewoman, Lady Alyce Kyteler of Kilkenny. When the Church imported its Inquisition—known as “The Burning Time” to followers of the Old Religion, or the Craft of Wicce (Witch Craft)—to Ireland, it did so via an ambitious, sophisticated bishop acting as Papal Emissary. But Alyce Kyteler–educated, wealthy, and a Craft Priestess–refused to cede power to the Church over herself, her lands, her people, or their ancient faith. She and the bishop engaged in a personal battle of wits, and when she outmaneuvered him she provoked his hatred. He pronounced her followers heretics and gambled his Church career on breaking her. But Kyteler had power, connections, fearlessness, and the loyalty of her people, especially her courageous young handmaiden, Petronilla. Battle plans were laid. Finally, risking death by burning at the stake, Kyteler invoked a mysterious, possibly otherworldly ally–the novel’s shocking, dramatic climax. I wanted to write a lush, enthralling story of memorable characters based on actual historical figures, an unforgettable tale of power, politics, bravery, and passions both earthly and spiritual. When The Historical Novels Review called it “a fantastic page-turner”—I did a little dance around the room, since that is precisely what I had been working toward.

The point is the story, always the story.

I feel a deep, close relationship with my reader, and I respect her/his intelligence enormously. The truth is, I write what I’d love to read, at any age, myself!


Zora and Me

zora

By Victoria Bond and T.R. Simon
Candlewick Press, 2010
Middle Grade, Ages 10 and up
ISBN: 978-0763658144
Additional formats: e-book, audio
Honors: Coretta Scott King John Steptoe New Talent Award *Junior Library Guild selection * William Allen White Children’s Book Award – Master List * Booklist Top 10 Historical Fiction for Youth * National Council of Teachers of English Notable Children’s Book * The Edgar® Awards – Best Juvenile, Nominee * Edgar Award Nominee * Kirkus Reviews – Best Children’s Books of the Year * New York Public Library 100 Titles for Reading and Sharing * SIBA Okra Pick * Kids Indie Next List

Zora and Me, by friends and co-authors, Victoria Bond and T.R. Simon is a suspenseful, summertime mystery starring a trio of besties: a young, fictionalized Zora Neale Hurston and her friends Carrie and Teddy. Set in Hurston’s legendary Eatonville, Florida, the story opens with Zora and Carrie witnessing an Eatonville man being dragged into to swamp by an alligator, which leads to some serious storytelling by Zora to her schoolmates.

Later, when a guitar-playing troubadour named Ivory turns up de-capitated near the railroad tracks, Zora conjures up a dark tale involving a shape-shifting gator man with an insatiable desire for souls and songs.

I found it impossible to do anything but read this book cover to cover in one sitting. The easy, rhythmic dialect, the brassy confidence of Zora, and the hot lush, dangerous setting of southern Florida will clamp down on readers tighter than a gator on a chicken. Let it happen is my advice. Zora and Me is a suspense-filled story with endearing characters and unexpected twists and turns. – Gigi


The Thing About Luck

luck

By Cynthia Kadohata
Middle grade
Atheneum Books for Young Readers: Simon and Schuster
ISBN: ISBN: 978-1416918820
Honors: National Book Award winner 2013

Summer is twelve years old, and her family is having no luck at all. Her parents have been called back to Japan to care for dying relatives, and she’s left in the care of her grandparents Jiichan (grandfather) and Obaachan (grandmother), who take her and her brother Jaz along for their work as harvesters despite their own frail health.

It’s hard to imagine that the world of combines and wheat thrashers could be appealing, but in this Newbery-winning author’s hands, it becomes the backdrop for an intergenerational story about poverty, hard-work, growing up, and the realities of the lives of people who harvest crops that eventually sit on our dinner tables.

The relationship between Summer and Obaachan is especially funny and ultimately poignant. A cranky and demanding grandmother is never easy to live with, especially when she’s always threatening to ground you forever. Does my grandmother love and admire me or not? That’s what Summer is trying to decide.

I also admire the lack of sentimentality about the hardship of families who work in harvesting and the honest portrayal of the subtle insults and the inequities that are part of laborers’ lives. Another thumbs up to the nuanced approach to Jaz who is immersed in his Lego sets and plagued by an appalling lack of social skills. Summer wonders if he will ever find a friend? “Am I a loser?” he asks her. What’s a sister to say?

I think strong girls will love this book because it is so often funny, but also because there is a lot sitting on Summer’s young shoulders. It’s easy for a kid to feel snowed under, especially the oldest in the family. When is responsibility too much responsibility? When do we ask children to grow up to fast? Strong girls will have to decide. – Meg


The Girl from the Tar Paper School: Barbara Rose Johns and the Advent of the Civil Rights Movement

tarpaper

By Teri Kanefield
Abrams Books for Young Readers, 2014
Middle grade non-fiction, Ages 10-14
ISBN:1419707965/13:978-1419707964
Honors: Junior Library Guild Selection

The Girl from the Tar Paper School: Barbara Rose Johns and the Advent of the Civil Rights Movement introduces young readers to one of the earliest and youngest Civil Rights pioneers. In 1950, Barbara Johns attended Robert R. Moton High School, an all-black high school. In then-segregated Prince Edward County, Virginia, while white students enjoyed a new school, black students were forced to endure makeshift buildings with leaky roofs and poor heating.

“I’m sick and tired of it all,” Johns complained to her favorite teacher, Inez Davenport.

In return, Davenport challenged her student: “Why don’t you do something about it?”

In October, Johns began recruiting student leaders to join her in a non-violent protest. On the morning of April 23, 1951, they commandeered the PA system, convened a school-wide assembly, and asked teachers to leave. Johns took the podium and gave the speech of a lifetime, imploring the student-body to strike until the school board agreed to improvements. She issued instructions, walked out of the building, and all four hundred fifty students followed.

Ultimately, the NAACP filed a petition demanding that Prince Edward integrate the school system. Students returned to Moton, and their case went before the Supreme Court, where it joined with four others as Brown v. Board of Education.

The Girl from the Tar Paper School is the first biography in any genre of Barbara Rose Johns. I love the aspects of teen-aged Barbara that author Teri Kanefield chose to reveal. By focusing on her subject’s interior life, Kanefield shows us a young woman who drew strength and resolve from her faith, her family, and the natural world. Readers learn that the Johns family valued and instructed its younger members on the importance of speaking truth to power. Family study of African-American history was important to them, as was attending church and retreating to the woods to pray privately.

I think everyone should study this book not only in order to learn about the life of a confident young woman but to gain insight into Johns’ process of imagining, planning, and executing a courageous act and finding a clear voice. The Girl from the Tar Paper School is also a critical addition to our understanding of how children participate in and shape history. – Gigi


Rules

rules

By Cynthia Lord
Scholastic Press, 2006
ISBN: 0-439-44382-2
Honors: Newbery Honor Book * Schneider Family Book Award * Mitten Award (Michigan Library Association) * Great Lakes Great Books Award (Michigan) * Maine Student Book Award * Dorothy Canfield Fisher Award (Vermont) * Kentucky Bluegrass Award* Great Stone Face Award (New Hampshire)* Buckeye Children’s Book Award (Ohio)

No toys in the fish tank.

That sounds like an unnecessary rule to mention, but when your brother has autism, there are rules for everything, every day. So, Catherine, age twelve, is keeping a notebook of rules to help him get through his day, rules that typical kids acquire but that have to be spelled out and repeated endlessly for David to follow. Catherine loves her brother, but she sometimes feels saddled with the job of looking after him, especially when her parents aren’t around to help. “Just for a minute” can be a monumental task.

That summer, something wonderful is about to happen that might ease Catherine’s load. A new neighbor is moving in. Could Kristi—pretty and destined to be well-liked at school—be a new friend for Catherine? And how will she feel about David and his unexpected behaviors?

This novel is about the tricky landscape of families that include people with special needs. Cynthia Lord writes with honesty and heart about the fierce love and frustration that defines that experience. She details the embarrassing moments—the shrieks, the undressing in public places, the meltdowns—but also lets us into the moments of pure love and grace that happen, too. I was also especially glad to see the relationship with Jason, a boy Catherine’s age who communicates with a touch board, and I also liked how she drew the parents in all of this, frazzled, loving, sometimes undone.

I think strong girls will relate to this story because it’s about what we’re willing to do to fit in. How far—or not—are we willing to go to let all kids into the circle of their neighborhoods and families? – Meg


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